thecountryfucker:



Dust Bowl Farm, 1938
Dorothea Lange

thecountryfucker:

Dust Bowl Farm, 1938

Dorothea Lange

(via artdecoblog)

Diana Slip Lingerie promotional photo by Roger Schall, 1932Also
Diana Slip Lingerie promotional photo by Roger Schall, 1932

Also

Untitled (Two nudes with masks) by Franz Roh, c. 1930Also
Untitled (Two nudes with masks) by Franz Roh, c. 1930

Also

lauramcphee:

Nu c1930 (Sasha Stone)
(via Vichy 2013 Vanessa Winship | Le Journal de la Photographie)
série Sweet Nothings - Vanessa Winship 

(via Vichy 2013 Vanessa Winship | Le Journal de la Photographie)

série Sweet Nothings - Vanessa Winship 

lauramcphee:

Catherine Deneuve et Marcello Mastroianni, 1973 (Jeanloup Sieff)

lauramcphee:

Catherine Deneuve et Marcello Mastroianni, 1973 (Jeanloup Sieff)

thefirstwaltz:


Crown Prince Carol and Crown Princess Helen (“Elena”) of Romania. 

thefirstwaltz:

Crown Prince Carol and Crown Princess Helen (“Elena”) of Romania. 

(via artdecoblog)

artdecoblog:

Mona Goya by Truus, Bob & Jan too! on Flickr.

Via Flickr:
French postcard. Photo Studio G.L. Manuel Frères.Mona Goya (1909–1961) was a Mexican-born French film actress who rose to fame in the 1930s.
Mona Goya, born Simone Isabelle Marchand, 25 November 1909 in Mexico City,  probably debuted in film in Germaine Dulac’s late silent film Princesse Mandane (1928). In the same year she also acted in various other films, such as the period piece Madame Recamier by Gaston Ravel and had a small part in Marcel L’Herbier’s lavish production L’Argent, starring Marie Glory, Brigitte Helm and Pierre Alcover. Goya’s career really set off with the arrival of sound film around 1930. She played an upper-class woman who falls in love with a fisherman in the British film The Lady from the Sea (1930), She acted a.o. in the French version of Paul Fejos’ The Big House, Revolte en prison (1930) and in the Georges Biscot comedy Hardi les gars! (Maurice Champreux 1931). She acted oppositie Victor Boucher in La Banque Némo (Marguerite Viel 1934), while in the late 1930s she often acted opposite Fernandel in La porteuse de pain (Renée Sti 1934), François Ier (Christian Jaque 1937), Josette (Jaque 1937), Ernest le rebelle (Jaque 1938). In the immediate postwar years she was often paired with Bourvil (Pas si bête, 1946; Blanc comme neige, 1948), while in the 1950s she had supporting parts in films with Nicole Courcel (Gibier de potence, 1951; Les amants de Bras-Morts, 1951) and Brigitte Bardot (Le portrait de son père, 1953; Babette s’en va-t-en guerre, 1959). All in all Goya acted in some 80 films, mostly French productions. Between the mid-1940s and late 1950s, she also acted on stage. Mona Goya died of cancer on 8 October 1961, at Clichy-la-Garenne. For a while she was married to actor Fernand Fabre, but they divorced.  
Sources: French and English Wikipedia, IMDB.

artdecoblog:

Mona Goya by Truus, Bob & Jan too! on Flickr.

Via Flickr:
French postcard. Photo Studio G.L. Manuel Frères.

Mona Goya (1909–1961) was a Mexican-born French film actress who rose to fame in the 1930s.

Mona Goya, born Simone Isabelle Marchand, 25 November 1909 in Mexico City, probably debuted in film in Germaine Dulac’s late silent film Princesse Mandane (1928). In the same year she also acted in various other films, such as the period piece Madame Recamier by Gaston Ravel and had a small part in Marcel L’Herbier’s lavish production L’Argent, starring Marie Glory, Brigitte Helm and Pierre Alcover. Goya’s career really set off with the arrival of sound film around 1930. She played an upper-class woman who falls in love with a fisherman in the British film The Lady from the Sea (1930), She acted a.o. in the French version of Paul Fejos’ The Big House, Revolte en prison (1930) and in the Georges Biscot comedy Hardi les gars! (Maurice Champreux 1931). She acted oppositie Victor Boucher in La Banque Némo (Marguerite Viel 1934), while in the late 1930s she often acted opposite Fernandel in La porteuse de pain (Renée Sti 1934), François Ier (Christian Jaque 1937), Josette (Jaque 1937), Ernest le rebelle (Jaque 1938). In the immediate postwar years she was often paired with Bourvil (Pas si bête, 1946; Blanc comme neige, 1948), while in the 1950s she had supporting parts in films with Nicole Courcel (Gibier de potence, 1951; Les amants de Bras-Morts, 1951) and Brigitte Bardot (Le portrait de son père, 1953; Babette s’en va-t-en guerre, 1959). All in all Goya acted in some 80 films, mostly French productions. Between the mid-1940s and late 1950s, she also acted on stage. Mona Goya died of cancer on 8 October 1961, at Clichy-la-Garenne. For a while she was married to actor Fernand Fabre, but they divorced.


Sources: French and English Wikipedia, IMDB.

maliciousglamour:



Dolores Del Rio, 1929Photographer: Edward Steichen

maliciousglamour:

Dolores Del Rio, 1929
Photographer: Edward Steichen

(via artdecoblog)