A bunch of trees in misty sunrise (by april-mo)

A bunch of trees in misty sunrise (by april-mo)

Foggy morning (by april-mo)

Foggy morning (by april-mo)

Foggy morning (by april-mo)

Foggy morning (by april-mo)

Album Art

Nosaj Thing | Fog

Frances Breese (LOC) (by The Library of Congress)

Frances Breese (LOC) (by The Library of Congress)

billyjane:

Imre Kinszki (Hungarian, 1901-1945), Untitled/Bridge and Fog [Cím  nélkül /Híd és köd] ca.1930
from arttatler & so30s

billyjane:

Imre Kinszki (Hungarian, 1901-1945), Untitled/Bridge and Fog [Cím nélkül /Híd és köd] ca.1930

from arttatler & so30s

burnedshoes:

© Fred Herzog, 1958, Two Men in Fog
In 1953, decades before William Eggleston and Stephen Shore established color photography as a serious medium for art photography, Fred Herzog shot his first roll of color film.
His wonderful and remarkable street pictures are the subject of a new monograph called ‘Fred Herzog Photographs’, published by Douglas and McIntyre. The book offers deep insight into the photographer’s color work, which was made during a time when serious, documentary and fine art photography was still being shot in black-and-white. The tools were there, as Herzog says, “to make unposed photographs in color that have historical value.”

burnedshoes:

© Fred Herzog, 1958, Two Men in Fog

In 1953, decades before William Eggleston and Stephen Shore established color photography as a serious medium for art photography, Fred Herzog shot his first roll of color film.

His wonderful and remarkable street pictures are the subject of a new monograph called ‘Fred Herzog Photographs’, published by Douglas and McIntyre. The book offers deep insight into the photographer’s color work, which was made during a time when serious, documentary and fine art photography was still being shot in black-and-white. The tools were there, as Herzog says, “to make unposed photographs in color that have historical value.”

liquidnight:

Elliott Erwitt
New York City, 1955
[via Everyday_I_Show]

liquidnight:

Elliott Erwitt

New York City, 1955

[via Everyday_I_Show]