Homeless Women: The Depression, 1932 (Edward Steichen)
[Study for Kodak Advertisement], c1935 (Edward Steichen)
Dolor, 1903
Photogravure
From Stieglitz: Camera Work
[Untitled, fashion for Vanity Fair], 1920s (Edward Steichen)
Dana Steichen, c1923 (Edward Steichen)
(via Condé Nast: Archives of fashion photography | Le Journal de la Photographie)
Edward Steichen, American Vogue, December 1923
Wind Fire, 1920
Gelatin silver print
From Women’s Camera Work: Self/Body/Other in American Visual Culture
355 notes
Source: liquidnight
#Vintage#Black and white#Photography#Art#Portrait#Pictorialism#Edward Steichen#1920s#Wind#Fire#Gelatin silver print#Monochrome#Female#Figure#Woman#Spirit#Manifestation#Avatar#Incarnation#Smile#Alone#Solitary#Independent#Freedom#Joy#Elemental#Nature#Wilderness#Barefoot#Pictorialist
(via The Pictorial Arts: Willy Nilly Conceits)
Edward Steichen — Lee Miller — 1928


![lauramcphee:
[Study for Kodak Advertisement], c1935 (Edward Steichen)](http://25.media.tumblr.com/fccf38cb272d2cb34d294004f77c00d2/tumblr_mmsmn3u43b1qjm0dlo1_500.jpg)

![lauramcphee:
[Untitled, fashion for Vanity Fair], 1920s (Edward Steichen)](http://24.media.tumblr.com/2bf7ee41c0732020b7bd03584eac9db0/tumblr_mj79hgMJ5O1qjm0dlo1_500.png)





