![tuesday-johnson:
ca. 1860-1890’s, [carte de visite portrait of a musician hard at work with his beautiful mother-of-pearl inlay guitar]
via Capitol Gallery, Cabinet Card & Carte de Visite Catalogue](http://25.media.tumblr.com/5510667e5a6769d7cfbb4fd8b304d5bb/tumblr_mg2g5dSVO31qa51rdo1_500.jpg)
ca. 1860-1890’s, [carte de visite portrait of a musician hard at work with his beautiful mother-of-pearl inlay guitar]
via Capitol Gallery, Cabinet Card & Carte de Visite Catalogue
Melina Mercouri dans « Phaedra » 1961 (Roger Corbeau)
Inside / Outside by Katherine Du Tiel, 1994
I have always been interested in human anatomy because it is an attempt to figure out what is beneath the surface of the skin: I am interested in probing beyond surface experience.
I am looking at scientific representation and how it is imposed upon the body. We demand some sense of order in the world. And we are always defeated. This is the human condition. Scientific/technological progress particularly since the late 19th century has reinforced the schism between the concrete and the intangible, privileging physical absolutes and human authority over spiritual considerations. [ftp]
Also
young Sophia
Gianni Berengo Gardin (b.1930)
‘‘Varese’’, 1987
![tuesday-johnson:
ca. 1858, [ambrotype portrait of a smiling young girl with a book]
via Christopher Wahren Fine Photographs, Skylight Gallery](http://24.media.tumblr.com/a0c200b1fe57f5d4c5e2cb7b923b8795/tumblr_mfsxc0sWHc1qa51rdo1_400.jpg)
ca. 1858, [ambrotype portrait of a smiling young girl with a book]
A “drugstore cowboy” preparing to deliver orders on his bicycle in Texas, 1938.
Photograph by Luis Marden, National Geographic






