(via Bully Says: Comics Oughta Be Fun!)

Panel from “Crimes of the Catwoman!” in Detective Comics #203 (January 1954), script by Edmond Hamilton, pencils by Bob Kane, inks by Charles Paris, letters by Pat Gordon

(via Bully Says: Comics Oughta Be Fun!)

Panel from “Crimes of the Catwoman!” in Detective Comics #203 (January 1954), script by Edmond Hamilton, pencils by Bob Kane, inks by Charles Paris, letters by Pat Gordon

(via Bully Says: Comics Oughta Be Fun!)

Panel from “The Olympic Games of Crime!” in Batman #82 (March 1954), script by Bill Finger, pencils and inks by Dick Sprang, letters by Pat Gordon

(via Bully Says: Comics Oughta Be Fun!)

Panel from “The Olympic Games of Crime!” in Batman #82 (March 1954), script by Bill Finger, pencils and inks by Dick Sprang, letters by Pat Gordon

(via Bully Says: Comics Oughta Be Fun!)

Panel from “The Secret of Batman’s Butler” in Batman v.1 #110 (September 1957), script by Bill Finger, pencils by Sheldon Moldoff, inks by Stan Kaye, letters by Pat Gordon

[sycophant…]

(via Bully Says: Comics Oughta Be Fun!)

Panel from “The Secret of Batman’s Butler” in Batman v.1 #110 (September 1957), script by Bill Finger, pencils by Sheldon Moldoff, inks by Stan Kaye, letters by Pat Gordon

[sycophant…]

(via Bully Says: Comics Oughta Be Fun!)

Panel from Batman v.1 #83 (April 1954), script by David Vern, pencils by Sheldon Moldoff, inks by Bill Elder (?), letters by Pat Gordon

[he’s drunk…]

(via Bully Says: Comics Oughta Be Fun!)

Panel from Batman v.1 #83 (April 1954), script by David Vern, pencils by Sheldon Moldoff, inks by Bill Elder (?), letters by Pat Gordon

[he’s drunk…]

(via Bully Says: Comics Oughta Be Fun! | Ace the Bat-Hound Week, Day 4: A facial expression Batman doesn’t make anymore)

Panel from Batman #103 (October 1956), script by Bill Finger, pencils by Sheldon Moldoff, inks by Charles Paris, letters by Pat Gordon

(via Bully Says: Comics Oughta Be Fun! | Ace the Bat-Hound Week, Day 4: A facial expression Batman doesn’t make anymore)

Panel from Batman #103 (October 1956), script by Bill Finger, pencils by Sheldon Moldoff, inks by Charles Paris, letters by Pat Gordon