1967 Guild Starfire
Guild X-50
1954-1970
Mahogany, Maple, RosewoodThe Guild X-50 was Guild’s response to Gibson ES-125. It was the smallest of Guilds hollowbody and the only model of the ‘X’ line to be non-cutaway. Early models were nicknamed Granada, up until 1961 when the guitar was renamed Cordoba.
Hofner President Electric Archtop
1956-1971
Spruce, Maple, Mahogany, RosewoodAnother superb Hofner. The President Electric was a variant of the acoustic model of the same name, which started off in 1953. It is easily recognized by its triple dot inlays and single cutaway (venetian or florentine). Early models had black bar pickups (pictured). Hear it
Photo from Vintagehofner
Guild T-100
1950s-1960s
Despite the fact it was not such a popular model at the time, several variations of the T-100 exist. The earliest model had a single Franz P90 pickup (T-100 SP). A dual pickup (T-100 DP) version followed. In order to compete with Gibson’s new models, a version was released as the “Guild Starfire” with two humbuckers.
Eko Model 200
1962-1965?
Maple, RosewoodLittle italian beauty. The Model 200 was an upscale version of the then popular Model 100, available with one, two or no pickups at all.
Gibson ES-137 Classic
2002
Maple, Mahogany, RosewoodGibson went into its cellar, picked some of its finest vintages, came back to the lab to create a new that looks very much like old. The ES-137 has a thinner but similar body to the ES-175 and supposedly sounds like a Les Paul Classic.
Epiphone Cailoa Custom
Maple, Mahogany, Rosewood
1963-1969Despite Al Caiola never participated in its design, the versatile guitarist gladly endorsed the guitar. The model also made some time in the hands of Barry Tashian (The Remains) and even Tom Verlaine (Television).
The Cailoa has a hollow body but no f-holes, two mini-humbuckers and sports an unusual 25 1/2 scale length (at least in Gibson’s book. Pictured is a 1968 Cailoa Custom in Walnut.
Photo by John Deas
Feel free to marvel at this 1962 Rodebald Hoyer Guitar. That’s probably what the skilled German Archtop maker was expecting you to do. Flame shaped F-holes are typical from the early sixties.
Photo and more about Rod Hoyers at Lacquercracks
1953 Gibson ES-295
Jewel of versatility, the 1963 Epiphone Professional model came with a special amp designed to translate its many “Tonexpressor” controls.









